My Favorite Looks from the Academy Awards 2012

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Tuesday, February 28, 2012

The stars came out in full force for the annual fête we plebians know as the Academy Awards. As anticipated as it was that former host Billy Crystal was back to host this year's show after the seriously flawed attempt (and the great on stage fashion show that was Anne Hathaway) last year, I felt that there was a lot of "lack" happening all over the place at the show this year. Too much amped-up hype that lead to real time lacklusterism.
Even on the Red Carpet, that hallowed walkway leading into the theater, proved that this year there was a style confusion and a sense of boredom. There was very little in the way of clear trends being presented, as many of the gowns chosen proved: some stars wore color while others steered clear of it, there was very little sequins or embellishments, jewelry and accessories were sparse or used minimally, gowns were either strapless and sleek or full and sleeved with little variations in between. At least there was the ever present voluminous train on almost every gown, so at least we had that trend to fall back on, or over (the train was overkill, in my opinion).

For me, the gowns that stood out moved away from a sea of bore and into a bit more individual glamour.  They allowed the wearer to convey a bit of self and showed that they had exercised "choice" and overwhelmingly chose "personal style" as the showcase. The standout gowns for me also showed the best example of the "otherness" of the gown: how it lives within its "trend" but is not ruled by it (Esperanza Spalding, Penelope Cruz, Rose Byrne), great use of the ever-important tailoring (Octavia Spencer, Tina Fey), how it excels in pushing boundaries in Red Carpet dressing by making modern strides in new ways (Gwenyth Paltrow, Natalie Portman, Jessica Chastain), and for sheer daring (Angelina Jolie, Jennifer Lopez).

Natalie Portman in vintage Christian Dior
Gwenyth Paltrow in Tom Ford

Angelina Jolie in Atelier Versace

Jennifer Lopez in Zuhair Murad

Octavia Spencer in Tadashi Shoji

Esperanza Spalding in Prophetik


Tina Fey in Carolina Herrera
Rose Byrne in Vivienne Westwood

Penelope Cruz in Armani Prive

Jessica Chastain in Alexander McQueen

And the style party continued afterwards at the post-show parties. Many took more risks and let loose (it is a party after all) where the strict rules of the Red Carpet don't apply. I was surprised to see better choices at the parties than the show itself (Cameron Diaz, Jennifer Lopez), and color was key (Kate Hudson), as well as sequins and embellishments (Kate Bosworth, Lily Collins).
Cameron Diaz in Victoria Beckham

Kate Bosworth in Prabal Gurung

Lily Collins in Monique Lhuillier

Kate Bosworth in vintage Versace

Jennifer Lopez in Zuhair Murad


Next year there will be a whole other show called "At The Party", I'm quite sure. It is, after all, where the real fun style showed up this year. I hope next year some of the more daring stars come back and shake up the style show a bit and interject some panache and humor, or our favorite Oscar regulars show a bit more style evolution and daring in their choices for the Red Carpet as well as the parties.
If not, we will always have Bjork and Cher..!


-fggofstyle
(all photos via Getty Images, stylebistro.com, or nytimes.com except Gwenyth Paltrow via Harper's Bazaar.com)
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Versace's Edge and Glory lives on in "Edge of Glory"

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Monday, June 27, 2011




For me, there is no denying my fascination and attraction to Lady Gaga's second release from her recent "Born This Way" album: it's the vintage Versace she wears in this sparse and down-played and "retro" feeling music video for "Edge of Glory". And to know that Donatella Versace opened up the house archives and has allowed Lady Gaga to use actual pieces from them is amazing. This, mixed with the recent news of Versace's H&M collaboration in which Donatella will re-interpret archived pieces in it, and the loaning of archived pieces for Gaga's promotional outings as well really does have me wondering if there is going to be a larger, direct release of archival items through the luxury brand's outposts or even an artistic exhibition coming soon (I believe its looong overdue). Yes, please, and may it be so!
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Versace for H&M

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Tuesday, June 21, 2011



As a long time collector and avid fan of Versace, the news of the luxury brands soon to launch collaboration with mega-retailer H&M is one of elation and surprise. With the rise of luxury brands doing high-street fashion becoming ever more prevalent, this move by Versace says, in a clear way to me even more than the great Lanvin x H&M collection last Fall, that no one in any luxury realm cannot ignore the lure and buzz of doing fashion-for-the-masses. With Donatella pulling from the vast Versace archives for inspiration/looks for this collection, its sure to be an interesting and hopefully well-round storytelling retail venture. I'm sure to get a few pieces to add to my personal Versace collection, which dates back to the early 80s. It will be an interesting addition to my archives and I can't wait to see what the H&M Collection says about the direction and future of the Versace brand, and to see how it will instill lust for its luxury brand to the masses.
-fggofstyle

Nostalgia- A Desire for the Lost

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Tuesday, February 23, 2010



I was reading this article on nostalgia and it got me thinking about it and how it is a constant reference in fashion. Nostalgia is a true desire for the lost, and fashion is a business and an industry and an art form based heavily on it. If nostalgia stirs up the depths of loss in our hearts (and minds), and has broken many people to the point of sickness and madness, then how can it be the root and the evolution of fashion?
The fashion business is fickle. It is constantly changing and evolving into something new, fresh, and bright. However, if it is based on nostalgia, is it changing?
We always hear references like “70’s chic”, “reminiscent of early 80’s power dressing”, “Girl Power”, “Minimalist”, and countless others. These references and the like become burned in our fashion brains because collections build not only on themselves but also on the trends they reference. This is constant. It happens every season at the shows and every month in the editorials. When fashion is innovative and new, it speeds forward ahead into the lexicon. The exciting new designer now gets a chance on the fashion stage, full of prospect and promise. If they maintain their ingenuity, they have a firm platform on which to build. I have seen this happening more rarely but when it does, it is amazing. The nostalgic reference disappears; what is found is the future.
When a trailblazer is taken away from our fashion lexicon and the industry too soon, we truly experience real loss. In my lifetime, this has happened only twice (in my opinion): Gianni Versace and, most recently, Alexander McQueen. Let us take these two geniuses of design and of their art, and appreciate them for their contribution and allow nostalgia to set in. For here is a real desire for the Lost.
-feelgoodguru

(photo credit: WesFeld gown made from plastic, from www.plasticsmakeitpossible.com, Alexander McQueen Fall 2009 Collection chain mail and snakeskin dress, from www.fashionolgie.com)
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