Music vs Style -- A Killer Combination

Anne and Nancy Wilson of Heart

Siouxsie Sioux of Siouxsie & The Banshees 

If there ever was a match made in creative heaven it is the existential marriage that exists with music and fashion. This union is undeniable because you're dealing with two very strong creative "minds" who are both rooted in image (and movement).

The Annenberg Space for Photography

The perfectly curated exhibition on view now (which has been extend until October 21, 2012) at The Annenberg Space for Photography in Century City entitled "Who Shot Rock & Roll", takes us on a journey through musical history and its co-habitual friend "image", as seen and captured by the top photographers who have been called upon by the music industry to not only document by to image-make and expose the personal side of our favorite musical icons.

Beginning with Elvis Presley, who changed the music business by knowingly exposing the "other side" and giving a "face" to rock and roll and turning a whole new generation on to the swing and sway of not only the music but of their own personal expression (via music, and style), he did  this expertly so by enticing us through the photographic and moving image, and in one sweeping move, turning viewers into fanatics. Yet he wasn't the only one to do so; many many others followed suit and today, music and image are synonymous with each other (just like fashion and image are as well) and the most lasting and indelible music acts are those who have embraced this combination to its hilt and have left us with equally indelible impressions through the image of music.

Tina Turner

The Rolling Stones

The Police

The exhibits moves you through these ideas and more, from the image factory itself to artistic collaborations between photographer and music artist [Anton Corbijn and U2's music videos featurette, Grace Jones and Jean Paul Goude's composites of the fantastic "Island Life" album cover, or Maripol and Madonna's complete image package (fashion styling and costuming) from her early 80s oeuvre for example], to the viewpoint of the fans (an interestingly casual and emotional section, I thought), to the culmination of the exhibit, an engaging 12 minute documentary produced exclusively for the Annenberg.

 \
"Who Shot Rock & Roll: The Film" teaser trailer (via Annenberg Space/YouTube)


Who doesn't remember perusing the record store and looking at the album cover and letting that bold, frontal image coerce you into buying the record and going on an aural journey (or in today's modern speak, doing the same thing by looking at the thumbnails of covers on Amazon or iTunes) and getting just that much closer into the mind of the recording artist? Or seeing a music video or concert film, movement and sound and image all rolled into one, and being taken on a truly visual journey?
A thoroughly enjoyable and definite don't-miss, go check out "Who Shot Rock & Roll" at the Annenberg before it closes on October 21, 2012, and as always, rock on!!

-fggofstyle
(all photos taken by me from images displayed in the center's courtyard/exterior)

**Mark Seliger, chief photographer for Rolling Stone magazine (1992-2002) and whose work is  featured in the show will be speaking at the final live lecture series in conjunction with the exhibition on Thursday Oct 18, 2012. 
For more information please visit the link below.




RELATED LINKS

Exhibitions: "Who Shot Rock & Roll" | The Annenberg Space for Photography

Master of Iconography, Herb Ritts: L.A. Style

"Herb Ritts: L.A. Style" book cover 

In this modern age of image, how you look and present yourself has become the crux of importance. This focus on image became crafted throughout our post modern age via television, music, film, and advertising. This lens became the way we "see" ourselves. Yet in the world of contemporary art, it is the photographer who hones and perfects this craft and brings it in its presentation to us, the viewer (or subject sometimes) with an interesting outcome. No other modern photographer has done it in such a way as Herb Ritts, who use of natural light, simple composition, and emotional resonance has captivated us and brought to the most iconic and prolific images of celebrity, fashion, commerce, music, and art. At the apex of sensuality, nature, individuality, shadow, celebrity, and style stood Ritts, who became its master and brought a truly unique and starkly simple view of the end of the 20th century.

I became a huge Herb Ritts fan in the mid 80s when I became familiar with his work through the images he produced for celebrities like Richard Gere and Madonna, in ad campaigns for Revlon and Calvin Klein, and the countless fashion magazine pictorials found in the pages of "Vanity Fair", "Interview", "Vogue", and "Harpers Bazaar" Magazines. His use of the uber-models of the day (Cindy, Christy, Naomi, Stephanie, Helena, Tony, Djimon, et al) not only made them recognizable but made them into stars in their own right and catapulated anything they were involved in into fashion spectaculars. Yet Ritts utilized them in traditional ways befitting a model: as a chameleon of pose, light, and shape sculpted in the forms through the hands/lens of the artist. The same thing can be said when he created memorable portraits for celebrities: using their personality and individuality to elevate the portrait to a personal moment fluid with freedom and expression of his subject. And these models and stars regularly worked with Ritts and enjoyed the artistically natural and collaborative process he imbued on his projects and it shows throughout his body of work.

On view at the Getty Center is the fantastic photographic retrospective "Herb Ritts: L.A. Style". It is a broad mix of well-known and lesser seen works by Ritts, who in the late 70s began his ouevre and left us too soon. It is an interesting show: sectioned off in group areas such as "Nudes" (his most striking work), "Celebrity Portraits" (where his signature evolves and shines and elevates the genre of celebrity itself), "Music Videos and Commercials" (his work in movement form and where he changed the entire scope of music videos for the best), and "Fashion" (at the ultimate top of the fashion chain, Ritts creates indelibly wonderful imagery and editorial work). One of my favorite items is the Britney Spears Vogue Magazine cover (Novemeber 2001) and its original two composite shots with art direction touch up notes on the Britney photo itself alongside the finished magazine cover because, as great as Ritts' portrait is by itself, we get to glimpse what it takes to show "perfection" (those edit notes made me chuckle a bit) so that an image becomes branded as "Vogue". I also enjoyed re-viewing the award winning music video he shot for Janet Jackson's "Love will Never Do (Without You)", shown in its entirety as his signature video work (although Madonna's "Cherish" was his premiere foray into the genre); it still is a great 5 minutes of artistic magic to this day. I did wish the Getty included the Ritts directed video for Michael Jackson's "In The Closet" featuring model Naomi Campbell but it was absent perhaps because of its similarities to Janet's video or some situation having to do with Michael's estate, perhaps (in its place there is the Rolling Stones Magazine cover of MJ, a still from that video shoot)...? I'm sure there are some hidden gems that the Herb Ritts Foundation has tucked away somewhere and perhaps in future retrospectives we may get the chance to see them but the Getty has put together a good show and it is definitely one to go and experience for yourself and enjoy the scope and breadth of this wonderful artist's contribution to the world.

The Getty Center presents the retrospective until September 2, 2012 before it moves next to the Cincinnati Art Museum.
Don't miss it!

-fggofstyle
(photo via Getty and the companion book can be purchased by clicking on the highlighted link)





RELATED LINKS

The Herb Ritts Foundation 

The Getty Center--"Herb Ritts: L.A. Style" 

Video: John Galliano

 (video courtesy/via Bio)


What more can be said about the imitable John Galliano? Not much. Let the artistry in his designs speak for themselves. We are all awaiting his return and rise back into the top ranks again, for he left a truly indelible mark on the fashion world indeed.

-fggofstyle

Related articles

• The Dior That Was - A Look at the John Galliano Era, 1996-2011 (fashionologie.com)
• BREAKING: Raf Simons Replaces John Galliano at Dior (lowefactor.com)

"When Tommy Met Anna": A Fashionista's Exhibit

Image by Getty Images via @daylife

a preview photo from "When Tommy Met Anna" exhibition
(photo via www.annadellorusso.com)

I have been watching the friendship between Anna Dello Russo and Jak & Jil's Tommy Ton develop for a few seasons now and enjoying it. It is great to see how much Anna "plays" for Tommy's camera and how Tommy captures every fantastical fashion moment that she delivers during the European shows. It is no wonder that ADR has become one of the most photographed, followed, and influential of the editors who attend the shows each season. ADR has allowed herself to become accessible because she herself has allowed access to "her world" through the eyes and lens of Tommy Ton.
In this day when fashion has finally been worthy of artistic exhibition, a new exhibit pops up on the regular. Fashion is rooted in design, execution, and display and done in many different mediums, with photography as its long-time partner. Tommy Ton's photos of ADR have helped to push street style blog sites to the forefront and have elevated fashion photography by adding realism to the genre. It is no wonder that a new exhibition entitled "When Tommy Met Anna" is now on view in Toronto department store the Bay. This may be Ton's first exhibition but I hope it is a sign of things to come. His images have inspired me (and you as well I'm sure) and his eye is crafted and honed because he sees the fashion world as this dazzling circus with lots of eye candy to share. I think a travelling collection of his images should make the rounds next. My fingers crossed, in hopes of this, but I'll take "When Tommy Met Anna" for now, because there is no fashion subject more fun and polarizing as ADR, and she gives good "show". She continues to push her own envelope and shares with us her love of style and lives her fashion as art, doing it all for us and her beloved Tommy Ton.

-fggofstyle

Related articles

• Anna Dello Russo Wears Abercrombie at Home?! (nymag.com)